THREE THINGS
ELIZABETH SHEPHERD
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What makes THREE THINGS such a fascinating listen is the wealth of sound fragments coming together, sometimes for the briefest of moments, to produce a melody, to conjure meaning, only to fade away back into the ether. The clacking of typewriter keys morphs into a percolating banjo progression, squawking birds commune with a saxophone in full
What makes THREE THINGS such a fascinating listen is the wealth of sound fragments coming together, sometimes for the briefest of moments, to produce a melody, to conjure meaning, only to fade away back into the ether. The clacking of typewriter keys morphs into a percolating banjo progression, squawking birds commune with a saxophone in full flight. Organic and electronic sounds intertwine seamlessly, sometimes into seismic rumbles and sizzling frequencies that bend and soar out of reach of the human ear. With this sonically saturated work Shepherd has thrown the doors of perception wide open, as if on a mission to show us that music is everywhere.